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Kaligrafer Pribumi Zaenudin Rais

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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvwm0MbnrWv1OTAfhQEeF8h38tFqzlMoaZITirP8tBykBGr6GtwxbbDjEH9KhYaEJSWiohRP1GY4kjtefMuxStJ8UD7CCFgjeLkZ9_km_GQDIl2mhGugZdPLBLulqPB-y6tRw6rypFfQg/s1600/Zainuddin+Rais.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Zaenudin Rais" border="0" height="300" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvwm0MbnrWv1OTAfhQEeF8h38tFqzlMoaZITirP8tBykBGr6GtwxbbDjEH9KhYaEJSWiohRP1GY4kjtefMuxStJ8UD7CCFgjeLkZ9_km_GQDIl2mhGugZdPLBLulqPB-y6tRw6rypFfQg/s400/Zainuddin+Rais.jpg" title="Zaenudin Rais" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Zaenudin Rais bersama para kaligrafer dunia<br />
Tebak..yang mana orangnya</td></tr>
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Kaligrafer Indonesia berprestasi di luar negeri.<br />
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Indonesia memiliki banyak kaligrafer ternama sejak zaman dahulu sampai sekarang. Hanya saja, mereka kurang mendapat perhatian dari masyarakat. Menurut saya faktornya ada dua :<br />
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Pertama, sang kaligrafer sendiri lebih banyak bersikap humul, tidak mau menonjolkan keterampilannya. Hal ini bisa kita saksikan di beberapa pesantren yang para Kiainya ahli kaligrafi. Mereka cukup mengajarkan kaligrafi kepada santrinya, tidak lebih. Mereka tidak mengadakan pameran. Karya karya mereka juga tidak dibubuhi tauqi' (tanda tangan).</div>
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Kedua, pengetahuan masyarakat Indonesia tentang kaligrafi masih rendah. Kebanyakan orang Indonesia tidak mengerti mana kaligrafi yang baik, mana yang jelek, mana yang hasil sentuhan komputer. Bagi mereka, yang penting tulisan Arabnya dibuat bertumpuk tumpuk, itu adalah kaligrafi. Sehingga karya karya yang baik, yang dibuat dengan sungguh sungguh, akhirnya tertindih oleh membanjirnya karya karya asal asalan yang dibuat cepat asal jadi, karena memenuhi permintaan pasar.</div>
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Namun pada masa belakangan ini, Indonesia memiliki beberapa nama kaligrafer muda yang terus menggiatkan seni kaligrafi di tanah air, sehingga memperoleh tempat yang lebih bermartabat bukan saja di Indonesia bahkan juga diluar negeri. </div>
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Hari ini, ketika saya sedang menikmati gambar gambar kaligrafi di halaman facebook madrasah <i>tahsinul khutut al arobiyyah bil Jizah as Saidiyah,</i> tiba tiba diantara deretan foto itu saya menemukan sebuah wajah pribumi. Wajah itu adalah wajah kaligrafer Indonesia Ustadz Zaenudin Rais. Karya karyanya juga dimuat disitu, bersama sama dengan karya kaligrafer dunia. Luar biasa ustadz kita ini. </div>
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Tidak banyak yang bisa saya ceritakan tentang riwayat hidup beliau. Zaenudin Rais adalah pendiri  Pesantren Kaligrafer Entrepreneur Muslim Zainun Lilkhoththothin yang berlokasi di Bogor Jawa Barat. Karya karyanya sangat indah, tidak kalah dengan kaligrafer kaligrafer dunia. Berikut ini beberapa karyanya (<i>afwan tadz minta izin ane pinjem gambarnya</i>) :</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1PN57HPcJ_jiCzx5Ke642B0n-v1yk16dpwUGLhQDFTbX0dFMqhhHkodRYnTEgBgHV3-sWiq3EW2dyjUrE-kHsiuCIxtGUBfJsjqzUK2I8BuT54m1WUwK6CuApYXdxzCBQIOCj_KcWWFI/s1600/Zainuddin+Rais1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Kaligrafer Indonesia" border="0" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1PN57HPcJ_jiCzx5Ke642B0n-v1yk16dpwUGLhQDFTbX0dFMqhhHkodRYnTEgBgHV3-sWiq3EW2dyjUrE-kHsiuCIxtGUBfJsjqzUK2I8BuT54m1WUwK6CuApYXdxzCBQIOCj_KcWWFI/s1600/Zainuddin+Rais1.jpg" title="Kaligrafer Indonesia" /></a></div>
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Kaligrafi Tsuluts Jaly Mutanadzir sangat indah</div>
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<i>"al jannatu tahta aqdaamil ummahaat"</i></div>
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<i>(surga dibawah telapak kaki ibu)</i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVhGD0BWMC5IQ16CerG_8Og9FYuxY0N8ORAqsWGspsTVjoiYHC60Ogts23c_T0_5k-klMIsiBkV_re-f6K41_1kPE7QWfY8pwH6hk3Jdt50AInS0K1zCl50WTxMLY8XMIjC48NpBSo_xU/s1600/Zainuddin+Rais3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Khattat indonesia" border="0" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVhGD0BWMC5IQ16CerG_8Og9FYuxY0N8ORAqsWGspsTVjoiYHC60Ogts23c_T0_5k-klMIsiBkV_re-f6K41_1kPE7QWfY8pwH6hk3Jdt50AInS0K1zCl50WTxMLY8XMIjC48NpBSo_xU/s1600/Zainuddin+Rais3.jpg" title="Hasbunallah" /></a></div>
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Kaligrafi Tsuluts Jaly</div>
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<i>"hasbunallah wa ni'mal wakil. Ni'mal mawla wa ni'mannashir"</i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcbbPJYEEZG5vS6ag9cUT-ty9b45W33mze2RjF8eIFdrZGuLv94tHmbdr4XVKfNafIVKbpodL2UlBdLOcaz_ZIqXqmCIv6ZrPsyKw2cgNUkSX9-p8de-WFuHvBmwTf1sQ7r0FnvuMfsN0/s1600/Zainuddin+Rais4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Al Ahzab 56" border="0" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcbbPJYEEZG5vS6ag9cUT-ty9b45W33mze2RjF8eIFdrZGuLv94tHmbdr4XVKfNafIVKbpodL2UlBdLOcaz_ZIqXqmCIv6ZrPsyKw2cgNUkSX9-p8de-WFuHvBmwTf1sQ7r0FnvuMfsN0/s1600/Zainuddin+Rais4.jpg" title="Al Ahzab 56" /></a></div>
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<i>"innallaha wa malaaikatahu yusholluna 'alannabi</i></div>
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<i>yaa ayyuhalladzina amanuu shollu álaihi wasallimu tasliima"</i></div>
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(al-Ahzab 56)</div>
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Karya yang sangat indah</div>
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"<i>wa taáawanu alal birri wattaqwa walaa ta'aawanu álal itsmi wal udwan"</i></div>
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(al-Maidah ayat 2)</div>
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Al-Hasyr ayat 21 - 24</div>
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"<i>yarfa'illahulladzina amanu minkum walladzina utul'ilma darojaat"</i></div>
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Al- Mujadilah 11</div>
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<span style="font-size: x-small;">Ditulis oleh Subhan Hidayat</span></div>
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<span style="font-size: x-small;">Kaligrafer Pribumi Zaenudin Rais, artikel original milik <a href="http://kaligrafi--islam.blogspot.com/">kaligrafi--islam.blogspot.com</a> @2017. </span></div>
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<span style="font-size: x-small;">Seluruh gambar dalam postingan ini adalah milik Zaenudin Rais.</span></div>
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Sumber :</div>
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<li> <a href="https://www.facebook.com/zaenudin.rais" target="_blank">Facebook Zaenudin Rais</a></li>
<li> <a href="https://www.facebook.com/alsaeedia.calligraphy.school.NotFormal.page/" target="_blank">Facebook alsaeedia calligraphy school</a></li>
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Zaenudin Rais bersama para kaligrafer dunia Tebak..yang mana orangnya Kaligrafer Indonesia berprestasi di luar negeri. Indonesia memiliki banyak kaligrafer ternama sejak zaman dahulu sampai sekarang. Hanya saja, mereka kurang mendapat perhatian dari…

Muhammad Khulusi Afandi - Kaligrafer Turki

Ayahnya adalah seorang guru pelajaran umum di masjid Jami Al Fatih. </span></div>
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Karena jabatan sang ayah itulah ia digelari Khojah Zadah (anak guru). Dan gelar itu ia gunakan sebagai tanda tangan pada beberapa karyanya. </span></div>
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Ia menamatkan hafalan al Quran di masa masa pendidikan dasarnya. Ia juga ditunjuk sebagai muadzin (juru adzan di Masjid Jami Sultan Salim di Uskudar sampai ia wafat.
Belajar Tsuluts dan Naskh pada Muhsin Zadah Abdullah Bik. Kemudian mulai belajar ta' liq pada Hasan Husni Afandi dan menyempurnakannya pada Haji Arif Bik. Akan tetapi gurunya yang sebenarnya adalah Sami Afandi.</span></div>
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Muhammad Khulushi Afandi, meskipun ia adalah seorang master dalam bidang tsuluts , naskh dan tsuluts jaly, hanya saja masyarakat luas khususnya para kaligrafer lebih mengenal dia sebagai master dalam bidang ta'liq dan ta'liq jaly. Hal ini karena Khulushi menghasilkan banyak karya dalam bidang ta'liq dan memiliki masyaq ta'liq yang sangat terkenal. </span></div>
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Dalam perjalanan hidupnya, tahun tahun 1927-1902 adalah puncak produktivitanya dalam menghasilkan banyak karya. Ia memiliki karya di Masjid Jami Sultan Salim, dan Masjid Jami  Sultan Ahmad di Istambul.

Diantara murid muridnya yang belajar ta'liq kepadanya adalah Mustafa Halim, Majid Ayral dan Hamid Al Amidi dan Kamal Batanay. </span></div>
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Muhammad Hulushi Afandi wafat tanggal 27 Dzulqadah 1358 H bertepatan dengan 08 Januari 1940, setelah menghabiskan hidup yang penuh kesengsaraan karena himpitan ekonomi. Ia dimakamkan di kompleks pekuburan Edirne.</span></div>
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Berikut ini karya karyanya : </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNv3Y6hQIRmTZ6dv8G6Bt7BVyXUAxUvLyP_Vr0VELe5Jkj3fcCMmvRnmE4YUBmtQZrsutICTUTiQlml1D0eeBCBlXjNlfkuTEk-mP6j6yRQdPxTAZkpR6w62yMjf66YgZGlvsVI2auC6Q/s1600/Hulusi+Effendi2.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img alt="خلوصي أفندي" border="0" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNv3Y6hQIRmTZ6dv8G6Bt7BVyXUAxUvLyP_Vr0VELe5Jkj3fcCMmvRnmE4YUBmtQZrsutICTUTiQlml1D0eeBCBlXjNlfkuTEk-mP6j6yRQdPxTAZkpR6w62yMjf66YgZGlvsVI2auC6Q/s16000/Hulusi+Effendi2.jpg" title="خلوصي أفندي" /></span></a></div>
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<i><span style="font-family: inherit;">Ditulis oleh Subhan Hidayat, maghrib tanggal 15 Februari 2017 saat Allah menurunkan rahmatnya berupa hujan deras. </span></i></div>
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<span style="font-family: inherit;"><i>Muhammad Khulusi Afandi - Kaligrafer Turki. Artikel original Kaligrafi Islam @2017. Semua sumber artikel dan gambar adalah milik sumber sumber berikut :</i></span></div>
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<li><span style="color: blue; font-family: inherit;"><a href="http://www.ottomansouvenir.com/Calligraphy/Netscape_Calligraphy_2.htm" target="_blank">Short Biographies of The Calligraphers www.ottomansouvenir.com</a></span></li>
<li><a href="https://www.facebook.com/pg/%D9%85%D8%AF%D8%B1%D8%B3%D8%A9-%D8%A7%D9%84%D8%AE%D8%B7%D9%88%D8%B7-%D8%A7%D9%84%D8%B9%D8%B1%D8%A8%D9%8A%D8%A9-%D8%AE%D9%84%D9%8A%D9%84-%D8%A3%D8%BA%D8%A7-291645027559928/photos/?tab=album&album_id=430679616989801" target="_blank"><span style="color: blue; font-family: inherit;"><span>مدرسة الخطوط العربية خليل أغا - </span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: white; line-height: 26.8px; text-align: center;"><span>الخطاط التركي محمد خلوصي facebook</span></span></span></a></li>
<li><span style="color: blue; font-family: inherit;"><a href="http://kalemguzeli.org/index.php?go=main&KNO=77" target="_blank">Hulusi Yazgan - http://kalemguzeli.org</a></span></li>
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<span style="background-color: #f8f7ef; font-family: inherit;">Hulusi Effendi was born in Istanbul in 1286 H. He learned Ta'liq from Haci Arif Bey of Carsamba and Sami Effendi, and Thuluth and Naskhi from Muhsinzade Abdullah Bey. He was teacher of writing in Darüssafaka Lycee and the Medresetül Hattatin.</span></div>
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<span style="background-color: #f8f7ef;"><span style="font-family: inherit;">Hulusi Effendi was one of the greatest Turkish masters of Ta'Iiq and Ta'liq Jeli. He spent his whole life, however, in financial distress and poverty. He died in 1358 H. The recent calligraphers Halim Ozyazici and Kemal Batanay were two of his most distinguished pupils (Short Biographies of the Calligraphers)</span></span></div>
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<span style="font-family: inherit;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: white; color: #1d2129; line-height: 18px; text-align: center;">محــمـــد خــــلوصـــــى ( 1869 م / 1940 م) ولد محمد خلوصى فى حى جارشنبه فى استانبول فى 15 من محرم عام 1286 هـ -27 ابريل 1869 . كان والده احد مدرسى الدروس العامة فى جامع الفاتح و دار الشفقة و نظرا لوظيفة والده فقد استخدم خلوصى اسم ( خوجة زاده ) أى ابن المدرس فى بعض توقيعاته على خطوطه ولوحاته. أتم حفظ القران الكريم أثناء فترة تعليمه الأولى و تم تعيينه مؤذنا فى جامع السلطان سليم فى أوسكودار و ظل فى تلك الوظيفة حتى وفاته . أخذ الثلث و النسخ عن محسن زاده عبد الله بك . شرع يتعلم خط التعليق على يد حسن حسنى أفندى ، و أتمه على يدى جارشنبه لى حاجى عارف بك و لكن شيخه الحقيقى الذى نهل منه هو سامى أفندى . و خلوصى أفندى رغم استاذيته فى الثلث و النسخ و الثلث الجلى إلا أنه هو أول من يرد على الخاطر بين كبار الخطاطين الذين كتبوا التعليق و التعليق الجلى و كانت المرحلة الواقعة بين أعوام 1320- 1345 هـ ( 1902-1927 م) هى ألمع المراحل و اكثرها تألقا فى حياته الفنية له لوحات فى جامع السلطان سليم و جامع السلطان احمد فى استانبول و كتب الكتابة الشريطية ( للاذان المحمدى ) فى جامع البرنس محمد على فى قصر النيل. من الخطاطين الذين تتلمذوا على يديه فى التعليق : مصطفى حليم – و ماجد آيرال- و حامد الآمدى - و كمال باتاناى . توفى فى 27 من ذى القعدة 1358 هـ- 8 يناير 1940 م ، بعد حياة بائسة و دفن فى مقبرة ( أدرنه قابى ) و ليس على شاهد قبره شىء يدل علي</span> </span></blockquote>
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Muhammad Khulusi Afandi (kalemguzeli.org) Kaligrafer Muhammad Khulusi Afandi Salah seorang kaligrafer era Turki Usmani era Turki sekuler. Dialah guru Mustafa Halim dan Hamid al-Amidi. Muhammad Khulusi Afandi lahir di Istambul 15 Muharrom 1286 H / 2…

Gambar Kaligrafi Pilihan 10

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Saya lanjutkan kembali memilih milih karya kaligrafi terbaik yang pernah dibuat oleh para kaligrafer. Tujuan saya adalah melengkapi koleksi, dan lebih khusus untuk menjadi kesenangan mata saya. Disamping itu juga untuk memudahkan saya memberikan materi materi pelajaran kaligrafi kepada para santri. Saya juga berharap kiranya gambar gambar kaligrafi ini bermanfaat bagi seluruh pembaca.</div>
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Seperti yang sudah sudah, saya akan pilihkan 10 gambar terbaik, kemudian saya akan berusaha memberikan penjelasan terhadap karya tersebut, siapa penulisnya, bagaimana isinya, sesuai hak hak yang harus kita berikan dalam menghargai hak cipta orang lain. </div>
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Berikut ini adalah 10 gambar kaligrafi pilihan :</div>
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Karya kaligrafer Turki :  Zaki Al-Hasmi</div>
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<i>Innama Amruhu Idza arooda syaián an yaquula lahu </i></div>
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<i>KUN FAYAKUN</i></div>
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<i>Yasin ayat 82</i></div>
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<span style="font-family: "traditional arabic" , "arial" , "helvetica" , sans-serif; font-size: 24.48px; line-height: 34.272px; text-align: right;">إِنَّمَا أَمْرُهُ إِذَا أَرَادَ شَيْئًا أَن يَقُولَ لَهُ كُن فَيَكُونُ </span></div>
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ditulis dengan gaya yang sangat indah</div>
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Karya Abbas Al-Baghdady</div>
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Kaligrafi Putih diatas hitam Q.S Ibrahim 24</div>
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<span style="font-family: "traditional arabic" , "arial" , "helvetica" , sans-serif; font-size: 24.48px; line-height: 34.272px; text-align: right;">أَلَمْ تَرَ كَيْفَ ضَرَبَ اللَّهُ مَثَلًا كَلِمَةً طَيِّبَةً كَشَجَرَةٍ طَيِّبَةٍ أَصْلُهَا ثَابِتٌ وَفَرْعُهَا فِي السَّمَاءِ</span></div>
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Karya Sayyid Abdullah Zuhdi</div>
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Bagian atas kecil berbunyi <i>masalulladzi yadkuru rabbahu</i></div>
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Kaligrafi utama dalam khat tsuluts berbunyi <i>waaladzi laa yadzkuru rabbahu masalu</i></div>
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Bagian dipojok ditulis dengan naskh <i>al hayyi walmayyiti</i></div>
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Bila dirangkai semuanya berbunyi </div>
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مثل الذي يذكر ربه والذي لا يذكر ربه مثل الحي والميت</div>
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Perumpamaan orang yang mengingatvtuhannya dan orang yang tidak ingat tuhannya bagaikan orang hidup dan orang mati.</div>
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Kemudian didalam kotak ditulis beberapa hadis nabi dalam khat naskh</div>
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Karya Dawud Bektas</div>
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<i>maasyaa Allah  </i>ما شاء الله</div>
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ditulis dengan khat diwani yang indah</div>
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Karya Haji Ahmad Arif</div>
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Tsuluts berbunyi</div>
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 نصر من الله وفتح قريب</div>
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Nashrun minallahi wabfathun qarib</div>
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Dilanjutkan dengan Surah Al Nashr lengkap dengan tulisan naskh</div>
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Karya Mahfudz Ahmad Al Pakistani</div>
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Kaligrafi naskh dan tsuluts yang sangat indah, AlQurán surah Al-Qalam ayat 1-32</div>
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Karya kaligrafer Iraq, Misbah Al-Irbily</div>
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Perpaduan kaligrafi naskh dan tsuluts yang sangat indah</div>
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Al-Quran Surah Al-Alaq lengkap (ayat 1-19)</div>
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Karya Muhammad Ozcay </div>
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Perpaduan naskh dan tsuluts dengan warna warni dan hiasan yang cantik</div>
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حريتي هي أغلى ما أعيش به * إن لم تكن فحياتي كلها عبث</div>
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<i>Hurriyyati, hiya aghlaa ma a'iisyu bihi #  In lam takun fahayati kulluha abats</i></div>
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Kemerdekaanku, adalah hal termahal dalam hidupku #  bila ia lenyap, maka hidupku seluruhnya sia sia</div>
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Kaligrafi tsuluts bertemakan balasan infaq dijalan Allah</div>
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Al-Quran Surah Al-Baqarah 261</div>
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Karya Raudhan</div>
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Karya Sayyid Depeler</div>
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<i>wadzkurisma rabbika </i>(sebutlah nama tuhanmu)</div>
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Perbandingan huruf huruf wawu tulisan beberapa kaligrafer besar.</div>
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Setiap huruf wawu disertai tanda tangan sang penulis</div>
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Gambar gambar kaligrafi pilihan, artikel original <a href="https://kaligrafi--islam.blogspot.co.id/" target="_blank">Kaligrafi Islam</a> @2017.</div>
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Adapun semua gambar yang dicantumkan disini adalah milik kaligrafer yang bersangkutan, yang kami ambil dari berbagai sumber. </div>
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Mudah mudahan bermanfaat.<br />
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Saya lanjutkan kembali memilih milih karya kaligrafi terbaik yang pernah dibuat oleh para kaligrafer. Tujuan saya adalah melengkapi koleksi, dan lebih khusus untuk menjadi kesenangan mata saya. Disamping itu juga untuk memudahkan saya memberikan mat…

Shikasteh, Kaligrafi Dari Tanah Persia

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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyxNN9TgRuQGBgvLTK3_GO_ABTvF67JnWM36wJT2TvwHu3_trgNOowp-UV4YenUtM-eRsN9ZeZdMHPkF5uHrcqp5rVi_znBjzi20iphc3Fys-h6cpqCEVIYG3zrV52oCX18d9Nqejc14/s1600/tmb+Shikastah+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="shikasteh" border="0" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyxNN9TgRuQGBgvLTK3_GO_ABTvF67JnWM36wJT2TvwHu3_trgNOowp-UV4YenUtM-eRsN9ZeZdMHPkF5uHrcqp5rVi_znBjzi20iphc3Fys-h6cpqCEVIYG3zrV52oCX18d9Nqejc14/s1600/tmb+Shikastah+.jpg" title="sikastah" /></a></div>
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Khat Shikasteh (Shikasta Script/ خط الشكسته) </div>
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<a href="https://kaligrafi--islam.blogspot.co.id/" target="_blank">Blog Kaligrafi Islam</a> kali ini akan mengajak pembaca untuk melihat lihat satu jenis kaligrafi, salah satu warisan karya seni dari tanah Persia yaitu khat shikasteh, atau Shikasta Script.<br />
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<b>Shikasteh</b> dalam bahasa Persia berarti tulisan berantakan (<i>al-kitabah al mukassaroh)</i>. Dinamakan demikian, karena fungsi shikastah adalah untuk membuat catatan cepat atau corat coret cepat sehingga terkesan berantakan. Shikastah merupakan kaligrafi asli Persia yang merupakan pengembangan kreasi (turunan) dari khat nasta'liq atau ta'liq. Karena itu bentuknya sangat dekat dengan kaligrafi Ta'liq dan sering disebut Shikasteh Ta'liq.</div>
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Shikastah diciptakan di Iran pada masa dinasty Safawiyah  pada Abad 16 H. Tampaknya banyak kaligrafer yang berkontribusi mengembangkan khat ini, termasuk pencipta ta'liq, Mir Ali Al-Harawi, Mir Imad Al-Hasani, dan lain lain. Mengutip buku Sirajuddin. AR, penciptaan Shikasteh dihubung hubungkan kepada Shafi dari Herat. Puncak kedudukan paling masyhur dari tulisan ini ditempati oleh Darwisy Abdul Majid Taliqani (wafat 1185 H).<br />
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Darwisy ini terhitung sebagai kiblatnya shikasteh. Yang membuat takjub adalah, Darwisy mewariskan banyak sekali hasil karya kaligrafi shikasteh, meskipun umurnya pendek. Ia wafat pada usia 35 tahun akibat penyakit malaria.<br />
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Pada masa kini, karya karya Shikasteh banyak lahir dari tangan kaligrafer Jalil Rasuli, Gulam Ridho Musya'syaí, Yadullah Kabuli dan Ali Haidar. </div>
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Sebagaimana Ta'liq, Shikasteh memiliki corak berupa kerapatan yang berlebih lebihan dari semestinya. Ia juga kerap ditulis musalsal (bersambung sambung antar kata), dan tidak diberi harokat. Tulisan bersambung sambung itu adalah akibat kecepatan penulisannya. Karena itu penggunaan shikasteh lebih banyak sebagai tulisan tangan pribadi (karena wataknya yang bisa dicoretkan dengan cepat). Fungsinya mirip dengan Riqáh. Shikasteh tidak digunakan untuk menulis mushaf, karena sulit dibaca oleh orang awam. </div>
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Sama dengan <a href="https://kaligrafi--islam.blogspot.co.id/2015/05/kaligrafi-riqah.html" target="_blank">kaligrafi Riqáh</a>, shikasteh kemudian berkembang dari sekedar tulisan cepat, menjadi tulisan kaligrafi hiasan yang indah yang disebut Shikasteh Amiz. Sebagaimana dikatakan oleh Muhammad Tohir Al-Kurdi dalam bukunya Sejarah Kaligrafi Arab, bahwa bentuk yang lebih indah dari Shikasteh adalah shikasteh amiz (artinya mirip shikasteh). Bentuk huruf hurufnya lebih tebal, dan tidak terlalu rapat. Ia ditulis diatas kertas berwarna, sebagai hiasan indah.<br />
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Hanya saja pada masa sekarang, para kaligrafer hanya mengenal shikasteh. Tidak ada lagi perbedaan antara shikasteh ta'liq dan shikasteh amiz. Shikasteh kemudian menjadi salah satu jenis kaligrafi Islam. Hanya saja, karena sulitnya dibaca, penyebaran shikastah lebih populer dinegara negara Persia terutama Iran, dan jarang dikuasai oleh kaligrafer Arab.<br />
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Berikut ini contoh contohnya :<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhANXJfdP3DBiUUKCqQ_AU0yTRcdcAfvWx8Rju7nZ-Bw75tUel9cTCJD1rf0sPNjxQNQaXgUU8lX_bCkqqYcQ9GFd9MHu2EvTdqEgXadb3IzkCJvpgS11fGik4PJdXKMPsi9_3pFXHiCJk/s1600/Shikastah+adnan+.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhANXJfdP3DBiUUKCqQ_AU0yTRcdcAfvWx8Rju7nZ-Bw75tUel9cTCJD1rf0sPNjxQNQaXgUU8lX_bCkqqYcQ9GFd9MHu2EvTdqEgXadb3IzkCJvpgS11fGik4PJdXKMPsi9_3pFXHiCJk/s400/Shikastah+adnan+.jpg" width="400" /></a><br />
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<tr><td class="tr-caption" style="text-align: center;">Karya Adnan Syeikh Usman<br />
Bagian atas dan tengah adalah khat nasta'liq<br />
bagian bawah shikastah<br />
<i>innahum iyyadzharu alaikum yarjumukum aw yuiiduukum fi millatihim falan tuflihu idzan abada</i></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN1O9dSiMwC8ehP6_ariHYK2j9Ha2SUyOXiRqTrQZ_dtXPOwSS7CF1pXTk5WIExEKEjImU81MxPBJ2JTtTUpbivMQr0JKMOHP6RPB5jw97rs_0hoQea90Pkfjif6V07inFN6e4lPdDr38/s1600/Shikastah+kelk+.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="309" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN1O9dSiMwC8ehP6_ariHYK2j9Ha2SUyOXiRqTrQZ_dtXPOwSS7CF1pXTk5WIExEKEjImU81MxPBJ2JTtTUpbivMQr0JKMOHP6RPB5jw97rs_0hoQea90Pkfjif6V07inFN6e4lPdDr38/s400/Shikastah+kelk+.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Allahummaftah li abwaaba rahmatika<br />
Dibuat dengan software KELK</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDkBGuYnNGEdMU1pgP8NdCIdltEHqX21rdbgpHtQxaLSC1PQP9iGwB8UPQUy4fqcSZuWJ8sAQoBXdBWqR6ki-vq9XL6biC8vq-rIPJdMmSeSMHnu2qxmyhAu8nP_a8CsPluuHu4gnUPcI/s1600/Shikastah+yadullah+kabuli+.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDkBGuYnNGEdMU1pgP8NdCIdltEHqX21rdbgpHtQxaLSC1PQP9iGwB8UPQUy4fqcSZuWJ8sAQoBXdBWqR6ki-vq9XL6biC8vq-rIPJdMmSeSMHnu2qxmyhAu8nP_a8CsPluuHu4gnUPcI/s400/Shikastah+yadullah+kabuli+.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Karya Yadullah Kabuli<br />
<i>Rabbana Atina Fiddunya Hasanah wafil Akhirati hasanah waqina adzabannar</i></td></tr>
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Sumber :<br />
<br />
<ol>
<li>(Buku Seni Kaligrafi Islam - Drs. Sirojuddin AR)</li>
<li>Wawancara dengan kaligrafer Husam Mator di <span style="color: #660099; font-family: "arial" , sans-serif;"><span style="background-attachment: initial !important; background-clip: initial !important; background-color: whitesmoke; background-image: none !important; background-origin: initial !important; background-position: initial !important; background-repeat: initial !important; background-size: initial !important; border-color: initial !important; border-style: initial !important; font-size: 13px; font-stretch: inherit !important; line-height: 16px; text-align: left;"><a href="http://www.eternityletters.com/vb/eternity874/" target="_blank">http://www.eternityletters.com/vb/eternity874/</a></span></span> </li>
</ol>
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Khat Shikasteh (Shikasta Script/ خط الشكسته) Blog Kaligrafi Islam kali ini akan mengajak pembaca untuk melihat lihat satu jenis kaligrafi, salah satu warisan karya seni dari tanah Persia yaitu khat shikasteh, atau Shikasta Script. Shikasteh dalam b…

Faris Al-Umari Bersaudara

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Ada banyak kaligrafer terkenal yang bersaudara. Misalnya Ozcay bersaudara, Umar Wasfi bersaudara, dan lain lain. Kali ini kita akan berkenalan dengan kakak beradik Ahmad dan Mahmud Faris Al-Umari.</div>
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Ahmad Faris Al-Umari</h3>
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Lahir di distrik Adhamia Baghdad Iraq pada tahun 1985. Ia mulai belajar kaligrafi pada umur 11 tahun (1996) lepada kaligrafer besar Iraq Abdul Azis Al Samarai dari kot Samara. </div>
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Ahmad kemudian pindah ke kota Baghdad, dan melanjutkan belajar kaligrafi pada Nabil Al Syarifi, dan menguasai khat Naskhi.</div>
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Kemudian setelah itu, Ahmad Al Umari melanjutkan belajar kaligrafi pada kaligrafer besar Abbas Al Baghdadi sampai tahun 2003. Saat itu umurnya masih 18 tahun. Tak lama ia meninggalkan Abbas, untuk belajar kaligrafi secara otodidak melalui karya karya kaligrafer kaligrafer terdahulu antara lain melalui karya Hasyim Muhammad.</div>
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Ahmad juga diuntungkan oleh kedekatannya dengan sumber sumber kaligrafi Iraq. Ia bisa mempelajari kaligrafi Hasyim Muhammad melalui buku bukunya, dan tulisan tulisannya yang ia saksikan langsung di masjid masjid Iraq.<br />
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Tahun 2006 Ahmad pindah ke Aleppo, republik Arab Syiria. Kemudian ia kembali lagi kepada gurunya, Abbas Al Baghdadi</div>
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Dari Abbas, Ahmad berhasil mendapatkan ijazah (sertifikat ) dalam kaligrafi pada tahun 2007 pada saat ia berusia 22 tahun.<br />
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Pada tahun 2010, Ahmad Faris kembali mendapatkan ijazah dari kaligrafer besar Iraq, Haji Mahdi Jaburi. Kemudian ia berangkat ke Istambul untuk mempelajari karya karya para khattat Turki.</div>
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Ia mendapat banyak keuntungan dengan perkenalannya dengan kaligrafer kaligrafer masa kini, seperti Dawud Bektasy, Farhad Korlo dan Muhammad Ozcay.</div>
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Tahun 2015 ia memutuskan untuk tinggal di Istambul Turki sampai sekarang.</div>
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Lebih lengkap baisa dibaca di siyus rwsminya <a href="http://ahmedalomari.com/" target="_blank">Ahmed Al Omari</a></div>
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Berikut ini karya karyanya :<br />
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<h3>
Mahmud Faris Al Umari</h3>
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Kaligrafer kelahiran tahun 1989 di Baghdad Iraq. Rekam jejaknya kurang lebih sama dengan sang kakak. Sama sama belajar kepada Mahdi Jaburi dan Abbas Al Baghdadi. Hanya saja Mahmud lebih menekuni design grafis. </div>
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<tr><td class="tr-caption" style="text-align: center;">Ahmad dan Mahmud Faris Al-Omari<br />Bersama Guru mereka Haji Mahdi Jaburi</td></tr>
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Pelajaran kaligrafi didapatnya juga dari kakaknya sendiri, Ahmad al Omari dan Farhad Korlo. Berikut ini karya karyanya :</div>
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<tr><td class="tr-caption" style="text-align: center;">Hilyah</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Hilyah</td></tr>
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Ada banyak kaligrafer terkenal yang bersaudara. Misalnya Ozcay bersaudara, Umar Wasfi bersaudara, dan lain lain. Kali ini kita akan berkenalan dengan kakak beradik Ahmad dan Mahmud Faris Al-Umari. Ahmad Faris Al-Umari Lahir di distrik Adhamia Baghda…

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