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Amir Ahmad Falsafi

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<span style="font-family: inherit;">Master Nasta'liq, Amir Ahmad Falsafi</span></div>
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<span style="font-family: inherit;">Ia adalah kaligrafer Iran kelahiran tahun 1959. Sejak usia tujuh tahun, ia telah mengamat amati kaligrafi di jalanan, di bangunan, di halaman buku, majalah dan surat kabar. Hanya saja, permulaan sebenarnya ia belajar kaligrafi, dilakukan kepada gurunya yang pertama, Ibn Baba'i. </span><br />
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<span style="font-family: inherit;">Hingga usia 17 tahun atau 18 tahun, ia terus menerus berlatih kaligrafi dan hidup bersamanya. Ia berlatih sendiri, dengan arahan arahan yang diberikan oleh guru pertamanya. Bersamaan dengan itu, ia juga mengumpulkan karya karya kaligrafer ternama yang banyak tersiar. Antara lain karya karya kaligrafi hebat Mir Imad Al-Hussein (1554-1615). Ia fokus mempelajari karya karya ini secara otodidak.</span></div>
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<span style="font-family: inherit;">Kemudian panggung kehidupannya semakin kaya setelah ia mengenal kaligrafer terkenal Hassan Mirkhani (1907-1982). Dia mendapatkan banyak pelajaran dan manfaat dari tekhnik penulisan dan alatnya. Dia mulai menunjukkan kematangannya ketika dia bergabung dengan dua kaligrafer besar: Kikhsru Kharoush dan Gulam Hussein Amir Khani. Kedua kaligrafer ini menempatkannya pada titik awal dalam perjalanannya menuju pekerjaan dan proyek proyek hebat. </span></div>
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<span style="font-family: inherit;">Amir Ahmad pada usia 22 tahun telah menjadi anggota Asosiasi Kaligrafi Iran, sebuah posisi kunci dalam kehidupan para kaligrafi Iran.</span></div>
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<span style="font-family: inherit;">Dari tangannya telah lahir lebih dari 300 kaligrafi. Meskipun demikian dia tidak berhenti mencoba, berlatih dan mencari teks yang layak disain.  D</span><span style="font-family: inherit;">ia memilih teks-teksnya dari Alquran dan Hadis, dan puisi puisi Hafez al-Shirazi. Jenis kaligrafi yang sangat dikuasainya adalah Nasta'liq</span><br />
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<span style="font-family: inherit;">Selain berkarya ia juga menulis beberapa buku belajar kaligrafi dan sejarahnya. Selain itu, ia juga pernah mengadakan pameran khusus dan bersama sam, yang terakhir adalah Pameran Kaligrafi Internasional Dubai.</span></div>
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<span style="font-family: inherit;">Berikut ini karya karyanya : </span><br />
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<i>Bismillah</i></div>
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<i>Yaa ayyuhal muddatstsir qum faandzir (al muddatstsir : 1-2)</i></div>
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Surah Al Fatihah</div>
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<i>Nuun wal qalami wama yasthurun (al qalam 1-2)</i></div>
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<i>Laa taqnathu min rahmatillah (Az-Zumar : 53)</i></div>
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Ghamm (murung)</div>
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<i>Inna rabbaka huwal khallaqul aliim (ِAl Hijr ayat 86)</i></div>
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Wallahul aliimul haliim (ِAn-Nisa 12)</div>
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<i>Fabassyir Ibaad. Alladzina yastamiunal qaula fayattabiuna ahsanah ( az-Zumar : 18) </i></div>
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<i>Tawakkaltu alallah (As Sura ayat 56 dengan redaksi inni tawakkaltu alallah)</i></div>
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Nuun </div>
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Basmalah</div>
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<i>Rabbis-syrahli Shadri wayassirli amri (Toha : 25)</i></div>
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Master Nasta'liq, Amir Ahmad Falsafi Ia adalah kaligrafer Iran kelahiran tahun 1959. Sejak usia tujuh tahun, ia telah mengamat a...

Kaligrafi Naskhi Karya Abdul Nasher Al Mashri

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Tema kita kali ini adalah tentang Abdul Naser Al Mashri. Seorang murid dari kaligrafer Adnan Syeikh Usman. Kita akan melihat lihat karya karya beliau, dalam beberapa artikel Insya Allah. Untuk postingan kali ini, kita khusus akan memamerkan karya karya beliau dibidang khat naskhi. Mudah mudahan berguna bagi pembaca.</div>
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Kita mulai dengan biografi singkat Abdul Nasir al Mashri. Nama lengkapnya adalah Abdul Nasir Hasan al Mashri. Beliau lahir di kota <a href="https://id.wikipedia.org/wiki/Homs" target="_blank">Homs Suriah</a> pada tahun 1979. Ia belajar kaligrafi kepada Adnan Syeikh Usman, kaligrafer besar Suriah. Abdul Nashir menguasai semua jenis khat dengan baik terutama diwany jaly (sebagaimana gurunya). Anda bisa mengikuti twitternya di <a class="ProfileHeaderCard-screennameLink u-linkComplex js-nav" href="https://twitter.com/abdulnaser011" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #657786; font-family: "Segoe UI", Arial, sans-serif; font-size: 14px; outline: 0px; text-decoration-line: none !important;"><span class="username u-dir" dir="ltr" style="direction: ltr !important; unicode-bidi: embed;">@<span class="u-linkComplex-target" style="text-decoration-line: underline !important;">abdulnaser011</span></span></a></div>
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Berikut ini adalah beberapa karyanya dalam khat Naskhi : </div>
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Tema kita kali ini adalah tentang Abdul Naser Al Mashri. Seorang murid dari kaligrafer Adnan Syeikh Usman. Kita akan melihat lihat kary...

Amati Kaligrafi Surah Al Fatihah Ini, Apakah Kamu Bisa Menemukan Kejanggalannya?

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<b><br /></b>Penulisan Kaligrafi Surah Al Fatihah dari masa kemasa terus berkembang sehingga mencapai bentuknya yang sekarang ini. Ia sangat indah. Terutama yang ditulis dengan khat tsuluts. Misalnya kaligrafi Surah Al Fatihah diatas, sangat terkenal dan sering kamu lihat. Tapi coba perhatikan lagi baik baik tulisan itu. Ada sesuatu yang janggal, apakah kamu bisa menemukannya? </div>
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Surah Al-Fatihah, disebut juga Ummul Qur an (induk al Quran) dan <i>as-sab'ul masani</i> (tujuh ayat yang diulang ulang). Surat ini istimewa. Kandungan maknanya sangat dalam. Makna semisal ini tidak diturunkan pada kitab Taurat dan Injil. Ia menjadi surah yang paling sering dibaca oleh ummat Islam.</div>
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Dalam bidang kaligrafi, surah ini juga istimewa. Para kaligrafer menjadikan surah ini sebagai pokok keahlian mereka berkaligrafi. Menulis surah al fatihah, seolah-olah wajib bagi mereka. Terutama ayat pertama dari surah ini, yaitu <i>bismillahirrahmanirrahim.</i><br />
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Ada satu bentuk karya Kaligrafi Surah Al Fatihah dalam khat tsuluts yang sangat Indah, dan dijadikan ikutan secara turun temurun. Bentuk ini juga dijadikan standar kemampuan para kaligrafer. Dikisahkan, Kaligrafer besar Turki Hamid al Amidi berjuang selama enam bulan untuk meniru Kaligrafi Al Fatihah ini.<br />
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Bentuk kaligrafi Al Fatihah yang dimaksud adalah karya Mahmud Jalaluddin Ad Dagestani, seorang kaligrafer kuno. Karyanya ini iditiru terus secara turun temurun sampai hari ini. </div>
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Perhatikan karya karyanya berikuti ini : </div>
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Ini adalah tiga kaligrafi Al Fatihah karya Mahmud Jalaluddin Ad-Dagestani (1140 H - 1245 H). Gambar yang anda lihat tidak begitu bagus resolusinya. Hanya itulah yang berhasil saya dapatkan. Tapi coba kita perhatikan sebentar. Kaligrafi paling kanan, dan yang tengah memiliki bentuk yang hampir sama dalam bentuk basmalahnya, jumlah barisnya, dan pemotongan ayatnya.<br />
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Tetapi kaligrafi sebelah kanan, berbeda dengan dua saudaranya ini. Mungkin anda akan menemukan perbedaannya didalam penulisan basmalahnya. Juga dalam pembagian jumlah barisnya. Tapi yang paling aneh, yang mungkin luput dari perhatian anda, adalah penulisan kata (غير )  yang diulang sebanyak dua kali. Mari Perhatikan lebih dekat :<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNhxdo6VOOOHPMgt7zc9-LSG4lG4bJZAjWTeFWIa3p8nyqu7hDlityEM500qWwqOIdwBMOsXWRZLp-nxjF5wuMRQwKvPSe_9xFtp9JEO2JVR3PVgSVCG85ohgLLg1S2E0WKJyvv8vvYp4/s1600/Al+Fatihah+mahmud.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="439" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNhxdo6VOOOHPMgt7zc9-LSG4lG4bJZAjWTeFWIa3p8nyqu7hDlityEM500qWwqOIdwBMOsXWRZLp-nxjF5wuMRQwKvPSe_9xFtp9JEO2JVR3PVgSVCG85ohgLLg1S2E0WKJyvv8vvYp4/s1600/Al+Fatihah+mahmud.jpg" /></a></div>
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Ini adalah sebuah kejanggalan yang dapat diterima dari sudut pandang seni. Tetapi dari sudut syariat Islam, tentu bermasalah. Karena seakan akan ada penambahan, dan penyusupan dalam ayat suci Al-Qur'an. Dalam pandangan ilmu bahasa juga bermasalah karena merusak makna. Karena pengulangan kata peniadaan (nafi) sebanyak dua kali akan menghasilkan arti "ada" ( itsbat ).<br />
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Selanjutnya, datanglah kaligrafer Mustafa Raqim (1171 - 1241). Ia meniru tulisan Mahmud Jalaluddin itu dengan bentuk yang sama persis. Hanya saja Raqim telah menyempurnakan bentuk bentuk hurufnya, sehingga karyanya lebih indah dari pendahulunya itu. Hanya saja, Raqim tetap mengulangi kesalahan yang sama yaitu menulis dua kali kata غير . Perhatikan dibawah ini :<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5D5RF6OQU413v9berPrOx8qNDjEhqMAQ5GKl9mKuqhaFdNIpuQ7wCclt6uuiTq41xSvcZRboz94EwxzChuxTQqu6a_uP_j0iL-neCXYdQObo8JpPElDCi2yvFtgY5xurfLzV7gb-8xdQ/s1600/alfatihah+tsuluts+raqim.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1103" data-original-width="750" height="640" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5D5RF6OQU413v9berPrOx8qNDjEhqMAQ5GKl9mKuqhaFdNIpuQ7wCclt6uuiTq41xSvcZRboz94EwxzChuxTQqu6a_uP_j0iL-neCXYdQObo8JpPElDCi2yvFtgY5xurfLzV7gb-8xdQ/s640/alfatihah+tsuluts+raqim.jpg" width="435" /></a></div>
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Tulisan Raqim sangat indah. Raqim selamanya akan menjadi master kaligrafi panutan para kaligrafer yang datang belakangan. Banyak kaligrafer yang berlatih dengan meniru tulisan Raqim. Diantaranya adalah kaligrafer yang juga bernama Raqim yaitu Ahmad Raqim murid dari Muhammad Hasyim, murid dari Musthofa Raqim. Ia meniru tulisan Musthafa raqim dengan tetap membiarkan pengulangan kata غير . Perhatikan gambarnya berikut ini :<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0IkCuPF8vR5GsF9SSCn3XLyLq9EYQemSuCZXuNc1mdkjKPDD76u5p-jpjYMq-0W2i33PzG0c6mfMMmcVjJ-_xJAsnZMdy6vLRzkUczlxBGg2sffym9LIY2jA0t6BMBy_04ZPDf7cdi-s/s1600/alfatihah+tsuluts+ahmad+raqim.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="601" data-original-width="427" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0IkCuPF8vR5GsF9SSCn3XLyLq9EYQemSuCZXuNc1mdkjKPDD76u5p-jpjYMq-0W2i33PzG0c6mfMMmcVjJ-_xJAsnZMdy6vLRzkUczlxBGg2sffym9LIY2jA0t6BMBy_04ZPDf7cdi-s/s400/alfatihah+tsuluts+ahmad+raqim.jpg" width="283" /></a></div>
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Kemudian datanglah Musthafa Izzat, ia menulis Al Fatihah meniru Musthafa Raqim. Hanya saja kali ini Izzat tidak membiarkan pengulangan kata غير .  Ia membuangnya. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0IJsd5viJTe6mn9mXJY4RWqQNL_YnGDUPU8A8YOUxdIz1n7N4-Y_K-EsPvns6avmn5tWV_22ViNIxCB69FG6jnF__AALuk-as3iMdYV71ha2AL5BK_XMJxFFQbiyDjg_0FFIeFDpvQck/s1600/alfatihah+tsuluts+izzat.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="643" data-original-width="571" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0IJsd5viJTe6mn9mXJY4RWqQNL_YnGDUPU8A8YOUxdIz1n7N4-Y_K-EsPvns6avmn5tWV_22ViNIxCB69FG6jnF__AALuk-as3iMdYV71ha2AL5BK_XMJxFFQbiyDjg_0FFIeFDpvQck/s400/alfatihah+tsuluts+izzat.jpg" width="355" /></a></div>
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Setelah Izzat, datanglah Hafidz Wahdati meniru tulisan Raqim, dengan mengulangi kata غير . kesalahan itu kembali dipelihara.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Qc8yKL-Jar-bBhzulYayDaFSa8aLF9plwy5TJZaP455y6e9KVlJDzZG6XCeLVtNPPa-B-agNzR_eQ9213nkGGHPbOu5jqAYMQw_DvhpmAYpNn2FFaUb7p5oj0qPPrxP4hzozNAXJft8/s1600/Hafidz+Wahdati.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="352" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Qc8yKL-Jar-bBhzulYayDaFSa8aLF9plwy5TJZaP455y6e9KVlJDzZG6XCeLVtNPPa-B-agNzR_eQ9213nkGGHPbOu5jqAYMQw_DvhpmAYpNn2FFaUb7p5oj0qPPrxP4hzozNAXJft8/s1600/Hafidz+Wahdati.jpg" /></a></div>
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Akhirnya pamungkas, datanglah Hamid Al Amidi, ia meniru tulisan Raqim dengan persis. Hanya saja ia membuang pengulangan غير . Karya Hamid ini dianggap yang terbaik. Bahkan Hamid sendiri menganggap kaligrafi Al-Fatihah tulisannya ini adalah karyanya yang paling indah seumur hidupnya.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs1H4lXGB61Pk23gqth1Mn6jclaavvAj-W02HwdnofSSUxQOewmg6X6qbhf-HFIUzgqeeZoiTrBxyhBdEN7lKNhYt8CN4oqvFhbsRv0e2ltYyfBqAsPmrEUC-sUBH_TPIXL47rB4f1hyphenhyphenE/s1600/Hamid+%25282%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Al Fatihah" border="0" data-original-height="758" data-original-width="537" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs1H4lXGB61Pk23gqth1Mn6jclaavvAj-W02HwdnofSSUxQOewmg6X6qbhf-HFIUzgqeeZoiTrBxyhBdEN7lKNhYt8CN4oqvFhbsRv0e2ltYyfBqAsPmrEUC-sUBH_TPIXL47rB4f1hyphenhyphenE/s1600/Hamid+%25282%2529.jpg" title="Al Fatihah Hamid" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Al Fatihah Hamid Al Amidi<br />Meniru Tulisan Raqim. Sampai tanda tangannya juga ditiru</td></tr>
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Wallahu A'lam. Semoga bermanfaat.

Penulisan Kaligrafi Surah Al Fatihah dari masa kemasa terus berkembang sehingga mencapai bentuknya yang sekarang ini. Ia sangat indah. Te...

Kaligrafer Modern Hassan Masooudy

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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqIOqj3tEdJshhJQF2eyzHc_rp3pi85m6PRoWWa_O05hlpjezrJz3GeZkf8ZmXXM35sitiv9SLsSQpbWMyUtDcTOYtiEo5lmh_Q83mgv38JtHQn8cudZ2rDiyOLhveTu5bL2z79Bez9LI/s1600/Hassan+Massoudy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="350" data-original-width="640" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqIOqj3tEdJshhJQF2eyzHc_rp3pi85m6PRoWWa_O05hlpjezrJz3GeZkf8ZmXXM35sitiv9SLsSQpbWMyUtDcTOYtiEo5lmh_Q83mgv38JtHQn8cudZ2rDiyOLhveTu5bL2z79Bez9LI/s1600/Hassan+Massoudy.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.octobergallery.co.uk/artists/massoudy/">http://www.octobergallery.co.uk/artists/massoudy</a></td></tr>
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<span style="font-family: inherit;">Kali ini kita akan mengunjungi salah seorang seniman kaligrafi modern yang berasal dari Iraq, tetapi lebih banyak berkarya di Eropa. Karya karyanya tidak sama dengan umumnya seni kaligrafi, tetapi sangat indah. Kami sajikan untuk kamu yang sedang mencari inspirasi untuk membuat kaligrafi modern. </span></div>
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<span style="font-family: inherit;">Nama kaligrafer ini adalah <a href="https://en.wikipedia.org/wiki/Hassan_Massoudy#Early_life" target="_blank">Hassan Massoudy</a>. Ia lahir pada tahun 1944 di Najaf, Irak Selatan. Ia hidup dalam masyarakat tradisional Irak. Pada saat remaja, dia pindah ke Baghdad pada tahun 1961, di mana dia belajar berbagai gaya klasik kaligrafi, mempelajari desain grafis dan seni rupa.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisP669H4Ldq3Zy4JXaABr_HIRSM8VqIPKip2AR5XCizDwysmAHqAlw0OHk5YVMAugb-CQTfC8oYgdmQsNibWbXu_GJpVBDYfsEuJ7bogLXO2FU6xIEvq8vb3zx0tACMyp3QS-nSB4_3Y0/s1600/Hassan+Massoudy+6.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="297" data-original-width="640" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisP669H4Ldq3Zy4JXaABr_HIRSM8VqIPKip2AR5XCizDwysmAHqAlw0OHk5YVMAugb-CQTfC8oYgdmQsNibWbXu_GJpVBDYfsEuJ7bogLXO2FU6xIEvq8vb3zx0tACMyp3QS-nSB4_3Y0/s1600/Hassan+Massoudy+6.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Al Karom<br />
Dari puisi Kahlil Gibran :  <i>al karom huwa i'tho'u fauqo maa nastathi'</i><br />
(Dermawan ini, adalah memberikan sesuatu diluar yang kita mampu)</td></tr>
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<span style="font-family: inherit;">Keinginannya untuk belajar seni, ditambah dengan kondisi politik di Irak pada saat itu, menyebabkan  dia pergi ke Paris pada tahun 1969 di mana dia mendaftarkan diri di École des Beaux- Arts. Massoudy tidak hanya dipengaruhi oleh para master kaligrafi Arab yang hebat, tapi juga artis artis Eropa seperti Leger, Matisse, Soulages dan Picasso. </span><br />
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<span style="font-family: inherit;">Setelah menerima gelar pada tahun 1975, dia kembali menekuni kaligrafi Arab dengan cara yang lebih kaya, menggunakan gaya klasik dengan cara yang lebih baru dan lebih bebas. Dari tahun 1972 ia berkeliling Eropa selama tiga belas tahun dengan penampilan Arabesque yang menggabungkan musik, puisi dan kaligrafi.</span><br />
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<span style="font-family: inherit;">Karya karya yang ditulisnya lebih banyak diambil dari petikan petikan ucapan tokoh tokoh besar (quotes), dengan tema utama perdamaian dan toleransi. Inilah kemudian yang membuat ia ditarik untuk bekerja di organisasi organisasi sosial Internasional seperti UNESCO dan Amnesty International.</span></div>
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Karya karyanya biasanya di bagi dua : bidang utama diisi dengan tema (misalnya cinta, damai, dan seterusnya) yang ditulis dengan huruf warna warni. Kemudian dibawahnya ditulis kalimat kalimat lanjutannya dengan huruf huruf lebih kecil.<br />
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Misalnya karya berikut ini, bagian utama tertulis " KALAM" ( كلام ) , kemudian bagian bawahnya ditulis <i>khairul kalami maa qalla wa dalla</i> (sebaik baik pembicaraan adalah yang ringkas tapi dapat memberi petunjuk)<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwGsspuCQpyyy8QvxUgNLmiQ2YsgWd6AXABYW1gWVo-CmxZ-kPsvJicoWgg25Wp_UdMhP-D0MjazxPEbs2u6t6l6Uoh-pp-jFxHMmZK5M-QP21g47RK53Ttj-AuuXG7tsf-63nd7Sr9LE/s1600/Hassan+Massoudy+khairul+kalam.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="922" data-original-width="643" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwGsspuCQpyyy8QvxUgNLmiQ2YsgWd6AXABYW1gWVo-CmxZ-kPsvJicoWgg25Wp_UdMhP-D0MjazxPEbs2u6t6l6Uoh-pp-jFxHMmZK5M-QP21g47RK53Ttj-AuuXG7tsf-63nd7Sr9LE/s400/Hassan+Massoudy+khairul+kalam.jpg" width="278" /></a></div>
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Berikut ini adalah beberapa karya Hassan Masooudy dibidang kaligrafi modern :<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7KP1kcwO_rwdcAklNx_YAq0F4LWa3i1AcBv1oKrloRxd-Hx2CjlH3QFDRlKbw-XmWFRlsQXCjQloMQVE53CmLTyCuXsmCf8WFc1BV6Dc-TVPQuavQZbkM5N0ThNCiY2hAww0nWY4Qtuw/s1600/Hassan+Massoudy+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="866" data-original-width="641" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7KP1kcwO_rwdcAklNx_YAq0F4LWa3i1AcBv1oKrloRxd-Hx2CjlH3QFDRlKbw-XmWFRlsQXCjQloMQVE53CmLTyCuXsmCf8WFc1BV6Dc-TVPQuavQZbkM5N0ThNCiY2hAww0nWY4Qtuw/s400/Hassan+Massoudy+1.jpg" width="295" /></a></div>
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Kaligrafi berjudul "Dream" </div>
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Berisi puisi terkenal dari Li Bai berbunyi :</div>
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<i> idzaa kaanat al hayaatu mitsla hilmin kabir, limadza yukallifu nafsahu 'anaa'al aisyi fil adzab</i></div>
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Bila kehidupan itu hanyalah mimpi, lalu mengapa membebani dirimu dengan beban kehidupan yang menyiksa</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB4e3N5wOnOH1nuQS4UuCKjmOO6t0-2c4XbeCF4JB8h2tAD_5B0E_IY67DESrj8UIe2suvPI7JGqA3urYKAeQlaGegLNG8ZTE-6cDRo74LRHW3HTOvRpR1I7VUPmrpPtOuGuJs5MjPhbM/s1600/Hassan+Massoudy+7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="297" data-original-width="640" height="185" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB4e3N5wOnOH1nuQS4UuCKjmOO6t0-2c4XbeCF4JB8h2tAD_5B0E_IY67DESrj8UIe2suvPI7JGqA3urYKAeQlaGegLNG8ZTE-6cDRo74LRHW3HTOvRpR1I7VUPmrpPtOuGuJs5MjPhbM/s400/Hassan+Massoudy+7.jpg" width="400" /></a></div>
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Ats-Tsimar (Buah)</div>
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Puisi Kahlil gibran :<span style="background-color: white;"> ألقلبي أن يصير شجرة حافلة بالثمار كي أقطف منها لهم وأعطي ـ جبران</span></div>
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<span style="background-color: white;">(Apakah hatiku mesti menjadi pohon yang penuh buah buahan agar aku bisa memetik dan memberikannya kepada mereka?) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0xPd0Rn9zvDGsu1gcUFPRnt0MFxZuYmochW2sIsDCcSQkp9XN9InU3y60v_33ranu8TFZRcIxWYGSh2xXfuLm2TmaQBoqmGoh4E585Ea7Ekmhbcgpy5Ob19v3pfI0ciw-EBxSwdd6JXQ/s1600/Hassan+Massoudy+8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="297" data-original-width="640" height="185" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0xPd0Rn9zvDGsu1gcUFPRnt0MFxZuYmochW2sIsDCcSQkp9XN9InU3y60v_33ranu8TFZRcIxWYGSh2xXfuLm2TmaQBoqmGoh4E585Ea7Ekmhbcgpy5Ob19v3pfI0ciw-EBxSwdd6JXQ/s400/Hassan+Massoudy+8.jpg" width="400" /></a></div>
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Al Ilmu</div>
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Ucapan Ibnu Sina : والعلم يرفع كل من لم يرفع </div>
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Ilmu itu mengangkat orang yang belum terangkat</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm96Vc6HIdsQxsmxKI_AH7H6uPE5BNFt7guYOAiTZ5hmqc295U_Febj0nvfIqStSJjdN4hpiU_UDqS64sckKmCuCn8t1fGXaw2KR1DvsB6DbhkFZWT41gOr-DwKBimjwOxZxUokHh3x80/s1600/Hassan+Massoudy+9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="890" data-original-width="642" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm96Vc6HIdsQxsmxKI_AH7H6uPE5BNFt7guYOAiTZ5hmqc295U_Febj0nvfIqStSJjdN4hpiU_UDqS64sckKmCuCn8t1fGXaw2KR1DvsB6DbhkFZWT41gOr-DwKBimjwOxZxUokHh3x80/s400/Hassan+Massoudy+9.jpg" width="287" /></a></div>
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Pepatah China :</div>
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Daripada engkau mengutuki kegelapan, lebih baik nyalakanlah lentera kecil</div>
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بدل أن تغضب ضد الظلمات اشعل مصباحا صغيرا</div>
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Sisanya silahkan dibaca sendiri ya...!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKGW9C33HTCJ8_RNoPok5NtdL20X4dq9jz9tiq5e9jZj2SRRBXrjJxWkhnqrK_golWf1fIjJNn4loA1pZqLkimkqgVVT-4skFGPF5fuSFoC-POu2zPpPFKURkKzDifqZhzv_Dw3bkLZqM/s1600/Hassan+Massoudy+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="884" data-original-width="640" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKGW9C33HTCJ8_RNoPok5NtdL20X4dq9jz9tiq5e9jZj2SRRBXrjJxWkhnqrK_golWf1fIjJNn4loA1pZqLkimkqgVVT-4skFGPF5fuSFoC-POu2zPpPFKURkKzDifqZhzv_Dw3bkLZqM/s400/Hassan+Massoudy+2.jpg" width="289" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF6Ae8v0aRLzmABX-Ea21isyuSrKL9CXrO1iEnkypmN0bg1UAIiisOv-tRh8XWDRiHpY7ZocOiaAfnZ-iQcf_3N-4zwD89cRZuy0DRhJUhTc8XXmqLGbjqT3OpgbLe0fr7SuN6DkB4Wv8/s1600/Hassan+Massoudy+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="880" data-original-width="642" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF6Ae8v0aRLzmABX-Ea21isyuSrKL9CXrO1iEnkypmN0bg1UAIiisOv-tRh8XWDRiHpY7ZocOiaAfnZ-iQcf_3N-4zwD89cRZuy0DRhJUhTc8XXmqLGbjqT3OpgbLe0fr7SuN6DkB4Wv8/s400/Hassan+Massoudy+3.jpg" width="290" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxAhR-kEfglOUPhBRHzy0QAOcNXZj4bjDiWZuNbUNxul0Ufsb3lBR8FnubaL-9pMEDvw9MtUu6YSoDmP2OBUZDvN4zR4HaJhIZAzkUcXIdbVBWI0ViZ6D30D5WOSo8SCFEhdX7mpZvqCQ/s1600/Hassan+Massoudy+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="889" data-original-width="641" height="400" loading="lazy" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxAhR-kEfglOUPhBRHzy0QAOcNXZj4bjDiWZuNbUNxul0Ufsb3lBR8FnubaL-9pMEDvw9MtUu6YSoDmP2OBUZDvN4zR4HaJhIZAzkUcXIdbVBWI0ViZ6D30D5WOSo8SCFEhdX7mpZvqCQ/s400/Hassan+Massoudy+4.jpg" width="288" /></a></div>
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Berikut ini beberapa karya Hassan Massoudy dalam video slide :  </div>
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Artikel <a href="https://kaligrafi--islam.blogspot.co.id/" target="_blank">Kaligrafi Modern Hassan Massoudy</a> ditulis dengan memperhatikan sumber sember tertera dibawah ini. </div>
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<ul style="text-align: start;">
<li><a href="http://www.octobergallery.co.uk/artists/massoudy/index.shtml">http://www.octobergallery.co.uk/artists/massoudy/index.shtml</a></li>
<li><a href="http://hassan.massoudy.pagesperso-orange.fr/english.htm">http://hassan.massoudy.pagesperso-orange.fr/english.htm</a></li>
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<u><i>Octobergallery :</i></u></div>
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H<span style="font-size: x-small;">assan Massoudy is an artist for whom the word itself remains the most sublime creative force.  His creations are a subtle mix of present and past, oriental and occidental, tradition and modernity.  The words and phrases, which are the inspiration for his calligraphy, are drawn from proverbs, poets and philosophers throughout the centuries, ranging from St. Augustine, Virgil and Ibn’-al-Arabi to Baudelaire and Rousseau.</span></div>
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<span style="font-size: x-small;">Hassan Massoudy was born in 1944 in Najef, southern Iraq in a traditional Iraqi society.  He moved to Baghdad in 1961, where he learnt the various classical styles of calligraphy, studied graphic design and fine arts.   His desire to study art, coupled with the political events in Iraq at the time, saw him leave for Paris in 1969 where he enrolled at the École des Beaux- Arts. Massoudy was not only influenced by the great Arabic masters but also the artists Leger, Matisse, Soulages and Picasso.  After receiving his degree in 1975 he returned to calligraphy in a more enriched way, employing classical styles in a newer and freer manner. From 1972 he toured Europe for thirteen years with his Arabesque performance combining music, poetry and calligraphy.</span></div>
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<span style="font-size: x-small;">Peace and tolerance are central themes of his work leading him to work with Amnesty International, UNICEF and other related organisations. </span></div>
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<span style="font-size: x-small;">Massoudy’s work was exhibited and used as the primary promotional image for the British Museum’s 2006 exhibition, Word Into Art: Artists of the Modern Middle East.</span></div>
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<span style="font-size: x-small;">"The gestures of the calligrapher become an open space, welcoming the words of the poet and the imagination of the onlooker".</span></div>
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<span style="font-size: x-small;">Hassan Massoudy</span></div>
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<span style="font-size: x-small;">Selected Solo Shows</span></div>
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<span style="font-size: x-small;">   2012<span style="white-space: pre;">  </span>Gestures of Light, Abu Dhabi Festival, Ghaf Gallery and Emirates Palace, Abu Dhabi, UAE</span></div>
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<span style="font-size: x-small;">   2011<span style="white-space: pre;">  </span>Musée du Château des Rohan, Saverne, France</span></div>
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<span style="font-size: x-small;">   2010<span style="white-space: pre;">  </span>Logis Royal, Château de Loches, Loches, France</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Musée Batha, Fez, Morocco</span></div>
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<span style="font-size: x-small;">   2009<span style="white-space: pre;">  </span>Arabesque Festival, John F. Kennedy Center, Washington, USA</span></div>
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<span style="font-size: x-small;">   2008<span style="white-space: pre;">  </span>Scriptorial d’Avranches, Musée des Manuscrits du Mont Saint Michel, Avranches, France</span></div>
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<span style="font-size: x-small;">   2007<span style="white-space: pre;">  </span>Modern Arabic Calligraphy, October Gallery, London, UK</span></div>
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<span style="font-size: x-small;">                        Chapelle du Seminaire, Moissac, France</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Centre d’Art Contemporain, Abbaye de Trisay,</span><span style="font-size: x-small;">Trisay, France</span></div>
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<span style="font-size: x-small;">   2005<span style="white-space: pre;">  </span>Musée Château Saint-Jean, Nogent-le-Rotrou, France</span></div>
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<span style="font-size: x-small;">   2004<span style="white-space: pre;">  </span>Maison des Mémoires, Carcassonne, France</span></div>
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<span style="font-size: x-small;">   2002<span style="white-space: pre;">  </span>Hunar Gallery, Dubai, UAE</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Galerie Atelier Gustave, Paris, France</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Médiathèque, Saint-Denis de la Réunion, La Réunion, France</span></div>
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<span style="font-size: x-small;">   2001<span style="white-space: pre;">  </span>Artothèque de Cherbourg-Octeville, Cherbourg, France</span></div>
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<span style="font-size: x-small;">   2000<span style="white-space: pre;">  </span>Galerie Tammouz, Brussels, Belgium</span></div>
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<span style="font-size: x-small;">   1999<span style="white-space: pre;">  </span>Fondation Asselah, Algiers, Algeria</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Festival de Musique Sacrée, Musée Batha, Fez, Morocco</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Ecole des Beaux-Arts, Oran, Algeria</span></div>
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<span style="font-size: x-small;">   1998<span style="white-space: pre;">  </span>Comptoir des Ecritures, Paris, France</span></div>
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<span style="font-size: x-small;">   1996<span style="white-space: pre;">  </span>La Médiatine, Brussels, Belgium</span></div>
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<span style="font-size: x-small;">   1995<span style="white-space: pre;">  </span>Arabian Collections Gallery, Al Khobar, Saudi Arabia</span></div>
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<span style="font-size: x-small;">   1993<span style="white-space: pre;">  </span>Musée Barrois, Bar-le-Duc, France</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Maison de la Culture, Bourges, France</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Palais des Congrès, Grasse, France</span></div>
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<span style="font-size: x-small;">   1991<span style="white-space: pre;">  </span>Theater de Balie, Amsterdam, the Netherlands</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Galerie l’Art à la Page, Paris, France</span></div>
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<span style="font-size: x-small;">   1990<span style="white-space: pre;">  </span>Palais de l’UNESCO, Paris, France</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        ARIAP Galerie des Beaux-Arts, Lille, France</span></div>
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<span style="font-size: x-small;">   1989<span style="white-space: pre;">  </span>Salle Al Amane, Casablanca, Morocco</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        A.R. Galerie Art Contemporain, Brest, France</span></div>
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<span style="font-size: x-small;">   1988<span style="white-space: pre;">  </span>Soeterijntheater, Amsterdam, the Netherlands</span></div>
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<span style="font-size: x-small;">   1987<span style="white-space: pre;">  </span>Centre Culturel Français, Constantine, Algeria</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>        Galerie de Lappe, Paris, France</span></div>
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<span style="font-size: x-small;">   1986<span style="white-space: pre;">  </span>Museumgouda (formerly: Stedelijke Musea), Gouda, </span><span style="font-size: x-small;">the Netherlands</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>       Westfries Museum, Hoorn, the Netherlands</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>       Galerie Al Iwan, Kuwait</span></div>
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<span style="font-size: x-small;">   1984<span style="white-space: pre;"> </span>       Orient Galerie, Paris, France</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>       Musée Régional, Sarreguemines, France</span></div>
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<span style="font-size: x-small;">   1982<span style="white-space: pre;"> </span>       Maison des Arts et de la Culture, Créteil, France</span></div>
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<span style="font-size: x-small;">   1981<span style="white-space: pre;"> </span>       Musée des Beaux-Arts, Pau, France</span></div>
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<span style="font-size: x-small;"> <span style="white-space: pre;">  </span>       Centre Culturel, Tamanrasset, Algeria</span></div>
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